3. There's nothing forgetting.jpg
       
     
Work / There's nothing forgetting
IMG_1614 2.jpg
       
     
Work / Fanny and Alexander
IMG_0935 copy.jpg
       
     
Work / Year long, Clothes thin
We have to be very strong if we want to do something very wrong I, 2013, 300cm x 100cm x 280cm, glass, neon, mylar. Audiences need to crawl to enter. They then feel the whole space shaking because of their movements. People feel dizzy and confu
       
     
Work / We have to be very strong if we want to do something very wrong I
We have to be very strong if we want to do something very wrong II, 2013, 350cm x 200cm x 250cm, organdy, glass, argon, rope, canvas.
       
     
Work / We have to be very strong if we want to do something very wrong II
We have to be very strong if we want to do something very wrong III, 2015, base: 800cm x 800cm, red ball diameter: 250cm, plastic, bubble wrap, mylar.
       
     
Work / We have to be very strong if we want to do something very wrong III
C’est peut-être ce que vous croyez , joint work with Sabrina Kenifra, 2016-2017, 500cmx 500cmx 600cm, organza, acrylic paint . The installation C’est peut-être ce que vous croyez , is the result of the meeting between Vinn Feng, young Chi
       
     
Work / C’est peut-être ce que vous croyez
days days and days, 2017, size varied from 10cm to 45cm, resin. We commute from home to office; from home to school; from office to restaurant; from restaurant to home…(etc.) from here to there; from there to here. Like daily routines seem un
       
     
Work / days days and days
aerial agony, 2019, 180cm x 80cm, tears, petri dish. Tears are the crystalline vessels that encapsulate our deepest emotions and the ones that words cannot express. They flow freely when we are happy or sad, excited or disappointed, encoura
       
     
Work / aerial agony
Blow - Up , 2019, 32x32x7cm each, canvas, wood, ink. the interrelationship between truth and falsity, and the beauty levitated over the intersubjective communications within.
       
     
Work / believe
perpetuum vestigium, 2017-2020, 1800cm x 50cm, oraganza, cotton, metal additional writing below: < to a thousand days - perpetuum vestigium> the days came the days passed the days gone the days specialized the days generalized the
       
     
Work / perpetuum vestigium
“CXAaM” from “them” series, silkscreen on paper, 50x70cm, 2018. “…I will mime and repeat the gestures of your operation until this emergence of the outside within the system calls into question its systematic closure and its pretension to be self
       
     
Work / them